“…To the highest level possible…”

The true work of art is but a shadow of the divine perfection

My most recent work on the new Netflix film, “Outlaw King”, compositing CG elements of the background trees & Straw rooftop, while imitating the correct atmosphere of plate

My most recent work on the new Netflix film, “Outlaw King”, compositing CG elements of the background trees & Straw rooftop, while imitating the correct atmosphere of plate

My most recent work on the new Netflix film, “Outlaw King”, a simple DMP background instead of the blue-screen, preserving as much hair details possible using additive key

My most recent work on the new Netflix film, “Outlaw King”, a simple DMP background instead of the blue-screen, preserving as much hair details possible using additive key

My most recent work on the new Netflix film, “Outlaw King”, making this night fight scene much more alive & brutal to showcase the insensitivity of the battle

My most recent work on the new Netflix film, “Outlaw King”, making this night fight scene much more alive & brutal to showcase the insensitivity of the battle

An exciting challenge for the film, “Annihilation”, where I had to reconstruct the center of his face as the crew members were shown on the visor’s reflections

An exciting challenge for the film, “Annihilation”, where I had to reconstruct the center of his face as the crew members were shown on the visor’s reflections

A sequence I took part of on the high-end TV series, “Altered Carbon”, which mostly needed to insert a BG instead of the blue-screen, in addition to prep the RHS huge source of light

A sequence I took part of on the high-end TV series, “Altered Carbon”, which mostly needed to insert a BG instead of the blue-screen, in addition to prep the RHS huge source of light

Pretty much my first ever Comp shot on “Spectre”, where I built the tunnel entrance in NUKE using on-set images & 3D projection them on a track I had done myself

Pretty much my first ever Comp shot on “Spectre”, where I built the tunnel entrance in NUKE using on-set images & 3D projection them on a track I had done myself

One of my first work ever on a big film, “Spectre”, where I mostly did prep work, specifically here cleaning up the camera rig on the RHS and the metal panel & ramp on LHS

One of my first work ever on a big film, “Spectre”, where I mostly did prep work, specifically here cleaning up the camera rig on the RHS and the metal panel & ramp on LHS

Liked my work? Do you have a project in mind that needs help in telling the story using VFX?

Do not hesitate to reach out to me, I am always keen to hear regarding new & exciting projects to get involved with!

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